Determined to pursue a career that married both his passions, David Reyes began to aspire to write music for films. Faced with the challenge of finding formal education in this niche field, he decided to study to become a movie director to get a glimpse on the entire process of the making. During his studies, he never missed the chance to let music in, immersing himself in composing.
His journey took a turn when he travelled to Paris to study film music. It was during a festival that he caught the attention of a producer. This fateful encounter marked the beginning of a career in music for films.
David’s passion for animation fuelled his desire to venture into this specialised realm. His breakthrough came with the acclaimed Shooom’s Odyssey (2019), which garnered prestigious awards such as the Cristal for Best Tv Production at Annecy Festival (2020). Additionally, Reyes solidified his footprint in the world of animation with the series The Superheroes of Nature (2023).
How would you describe your working process?
Collaborative and open. As someone with a background in directing, I enjoy the editing process that comes with the visual aspect of a film. I always prefer to write music based on the project I receive, because I believe music and visuals should complement each other to create a cohesive atmosphere. When I present my work to others, it’s my vision of their universe – when people share their worlds with me, we create a new world together.
Do you often work with other musicians?
I usually write music alone, as I find that everything is already in my head and it gets complicated to share what’s inside. However, I always find ways to partner with other musicians, depending on funding and the context of the film. For example, if I am working with a different country’s culture, I tend to collaborate with local musicians.
You have a young daughter, how does your relationship with her affects the way you choose the projects you want to work on?
[laugh] Oh, she is the first judge. Not on the projects themselves, but more on the way she reacts to the music I write. If I see her enjoying it, I know it will be good.
Discover multimedia content on the Fall Issue of The European Animation Journal
